Event videographer · London

Event videographer
in London for PR launches, activations
and panels.

Multicam coverage. Highlight cut by end of week. Social cutdowns from the same shoot. One brief, one point of contact, one invoice.

What an event shoot looks like

In and out,
without changing the
temperature of the room.

A PR launch or activation is built around an audience, not a camera. The film of it should feel like the event, not like a glossy retrospective. Crew small enough to disappear, kit good enough that what they cover stands up.

  • Multicam set-up

    Locked-off wide on stage, roaming camera on audience and reactions, detail camera for cutaways and texture.

  • Clean audio

    Direct from the PA where it exists, boom or radio for ad-hoc interviews. The story holds whether you watch with sound or not.

  • Social cutdowns from the same shoot

    Platform-sized cutdowns built from the event footage. Subtitles burned in where it matters. No second shoot needed.

  • Highlight cut by end of week

    Fast edit turnaround built into the brief. The film is current while the event is still being talked about.

Recent event

Lloyds event coverage.

That Lot Creative Multicam

Lead example

A Lloyds launch,
captured without
warming the room.

Documentary-style multicam coverage, clean audio capture from stage and audience, same-week edit. One PO from That Lot Creative to Small Batch.

How the brief runs

One person to call.
One PO covers it.
Credited or white-label.

You brief one producer. I handle crew, kit, shoot, edit and grade. White-label under your banner or credited as Small Batch on the published case study. Your call.

Every time I see Ollie and his team, they're hustling. You don't see that kind of commitment to doing a good job very often.
Jess · ExxonMobil

Send a brief

Got an event coming up?
Four lines is enough to start.

Type, date, where, what success looks like. We'll come back within a day.